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QUOTES

“I haven’t been this moved by a performance of ’For All We Know’ since Carmen McRae’s Dream of Life album. Shade is a Blue-Chip recording of 2004.“
-Herb Wong, Jazz Education Journal

“Crystal clear diction, squeaky clean tone and the ability to scat like a true horn player are among the qualities that set this vocalist apart from hundreds of thousands of jazz singers of either sex. It comes as no surprise that he is an Associate Professor at the Berklee College of Music, for Scott’s intellectually stimulating take on the music exudes the perfectionism one might only expect from a devoted academic.” (see the full review on ejazznews.com)
-Ori Dagan, Jazz Director CHRY 105.5 FM

You sure sing up a storm!
-Don Shelton, the Hi-Los and Singers Unlimited

"The millennial era is especially rich in talented male singers -- 15 years ago I couldn’t name any, now there seem to be dozens -- but while there are a lot of hipsters (Kurt Elling) and soulful gentlemen (Alan Harris, Kevin Mahogany) whose music I love, I don't think I’ve heard anyone quite like David Scott, whose priorities are a sweet tone, with just enough of a folk-pop sound to keep it somewhat contemporary, and a clearly-stated tune. He well knows that a little melody can carry you a long way."
­Will Friedwald, author of Jazz Singing

"Thank you so much for sending me the CD. I’m listening to it at 4AM and enjoying it greatly; ’For All We Know’ is now playing and it sounds really good at this hour. What a pleasure to hear a singer with such great ears; your musicianship is terrific and your improvisations are so pleasing to the ear. No wonder you're teaching at Berklee... Anyway, thanks again, David; I hope the CD does wonderful things for you."
-James Gavin, author of Deep in a Dream: The Long Night of Chet Baker

"A truly remarkable voice. His tone is wonderful. His high range is astounding, not only for the notes that he can hit, but also for the control and dynamics and feeling with which he delivers those high notes. Dave’s thorough understanding of harmony and arranging and his ability to hear everything he understands are what set him apart from the majority of even the most accomplished jazz singers.”
-John Funkhouser, Berklee College of Music

about Shade: “I love what he’s doing! Interesting to hear what I feel is his ‘stretching’ – the growth in artistic boundaries and possibilities both musically and vocally.”
-Phil Mattson, Grammy-nominated arranger and pianist

about Shade: “Wow, it gets better and better as it goes along! His singing is often so impressive, both the beautiful, warm sound of his natural voice and also his ability to use it with so much command. Really fun arrangements and great players too. He is definitely in the top 2% of vocal improvisers in the world!”
-
Michele Weir, singer and author of Vocal Improvisation

Chosen as a “Jazz Pick of the Week” by Steve Greenlee, Boston Globe, September 2003

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